Star Flux

Timelock: The Sidhe's Return is a narrative-driven puzzle game.  The solutions to puzzles lie not only within the environment, but can be found in the past, and future versions of the environment.

For this game, a core mechanic was hiding and showing environmental items based on the time period.  I created a base class for such items where the level designer can select one or more time periods.  When the time period is changed, items that are not tagged with the time period are hidden, and the ones that are tagged are displayed.

This game used Eleven Labs text-to-speech to bring the character to life.  All audio was managed in a data table.

Challenge

The goal for this game jam was to create a game to help people intuit quantum physics the same way that we can intuit gravity.  For example, even without a degree in physics, we can pretty much predict where a ball will land after we throw it.  This is because we have lived with gravity our whole lives, and thus have a lifetime of experience with it.  Not so much with quantum physics; it's foreign to us because we don't live at the quantum level.

Concept

Taking the Quantum Mechanics theme literally, I immediately thought of a future scenario where scientists are experimenting with quantum technology in a space research station, deploying a small research ship to observe the results.  An accident occurred causing the region to erupt with black holes and unstable quantum regions, leaving the ship stranded.  The ship needs to return to the space station to help stablize the region.

Game Concepts

The key concepts that I wanted to explore in this game were a) superposition, b) quantum entanglement, c) phase rotation, and d) collapsing the probability field through observation.

Superpositon & Quantum Entanglement

Narratively, I decided to tackle superposition and entanglement on the game board; this was to be the result of the accident.

Phase Rotation & Observation

Phase rotation and observation are part of the science team's research equipment.  

The science vessel's research equipment includes Quantum Modules, which for the prototype apply a phase rotation to the probability field, skewing the probablities from 50/50 to another percentage probability.

The ship has two ways of observing quantum space: using a probe from a safe distance, and boldly flying your ship right in.

Game Board

The game is played on a grid, which later evolved into a hex-grid that allowed for more fluid movement and eliminated the awkward diagonal movements presented on a square grid.

I designed three types of tiles:

1. Clear Space

These tiles are as safe as a region of space can be, allowing free movement.

2. Quantum Flux Space

These are regions that are in quantum flux: a superposition of being simultaneously safe space and deadly space, which could tear a ship apart.  The superposition of the two states was to be resprented by two layers with an opacity set to the respective probabilities.   100% Blue would be 100% safe space, and 100% red would  be 100% deadly space.

For example, at 50% safe, 50% deadly, the tile would appear purple.  A 75% safe, 25% deadly space would appear more blue.

3. Black Holes

Black holes are impassible blockers, which are placed on the map as obstacles, forcing the player to navigate around them.

The Crew

I wanted the player to feel like they were in the captain's chair, looking at a tactical map, while being, surrounded by their crew.

To achieve this, I created character profiles for a helmsman, an engineer, and a science officer, each of whom would speak when executing their commands or responding to events.

This voiceover audio, in my opinion, really brough the game to life.